Nothing says Christmas (in the UK at least) than a pantomime. And nothing says innovating online than successfully holding an online pantomime as a piece of performance art. How about a pantomime on Twitter I hear you say-
…traditional wait as you all shout ‘how about a pantomime on Twitter?’ at me…
Been there, done that, it was cutting edge in 2008. Jon Bounds recalls the bleeding edge of comedy 2.0:
Looking back at the first Twitpanto, which was organised haphazardly and quickly. It stands out for me that it had no commercial or charitable goal. It was purely for the enjoyment and to see if it was possible, and more than that it was able to break across social groupings and filters. A nib in the Birmingham Post the following day reminds me of the cast: some people whom I was friends with mainly online and had never met; some people I had worked with; some journalists, and a cabinet minister. The cabinet minister was Tom Watson, MP for West Bromwich near Birmingham, a ferocious advocate of digital technology’s place in the real centre of social discourse – but this was no demonstration piece, this was for laughs. This era, is sadly over. Could the now deputy leader of the Labour Party play Barron Tweetup today?