Cool Hand Luke, Kelly’s Heroes, Dillinger, The Godfather Part II, Alien, Escape from New York, Christine, Paris, Texas, Repo Man, Pretty in Pink, The Last Temptation of Christ, Wild at Heart, The Straight Story, The Green Mile, Alpha Dog, Inland Empire… the list goes on. Harry Dean Stanton died in nearly every film he starred in, and I loved him for it. Even though it now has to be in the past tense.
How are you going to reach your apps on the new iPhone X with no home button? Gestures! Getting back to Home, as well as accessing App Grid and Top Menu rely on Edge Swipes. Perform an Edge Swipe by placing your finger at the very edge of the screen and moving it towards the center of the screen. Edge Swipe from top brings up the Top Menu. Oh sorry, that’s not the innovative first in iOS 11 and the iPhone X, that’s Sailfish OS and the Jolla handset from 2013. Still, a nice bit of innovation to not be ‘exactly’
[audio:http://archive.org/download/escinsight_20170908_498/escinsight_20170908_498.mp3] Imagine if the only football you watched was the FA Cup Final in May? If the only baseball game of interest was the World Series. If the only American Football match was the Superbowl. And imagine the delight if you found out that there was a season’s worth of action… Well, it’s time for the Eurovision Song Contest season to start. Sure, everyone will tune in on Saturday May 12th for the Grand Final, but there’s a world of music before that point. IT;s one I follow with the team at ESC Insight, and the first podcast of the season is now online.
Most people have a good idea how good or bad the summer blockbuster movie season was, and I think most people could agree that the quality was not as high as earlier years. For every ‘Baby Driver‘ there was a ‘Baywatch‘ or ‘King Arthur‘. The big game of Hollywood has always been to not be apportioned blame when the music stops. So the industry has decided to blame Rotten Tomatoes. Brooke Barnes reports on the scapegoating in the New York Times; from how it averages review scores, how it decides Fresh or Rotten, and how it looks outside the handful of
It’s accepted that Michael Jackson’s ‘Thriller’ sold over one hundred million copies. But do the numbers add up? A fascinating look at sampling, rounding up, sales tracking, and hype from Bill Wyman at The New Yorker. Did Jackson sell a billion records, or even seven hundred and fifty million? Sure, “Thriller” sold a lot of copies, but Jackson recorded infrequently, and his later albums sold nowhere near what “Thriller” did. We know from SoundScan figures that Jackson was selling, on average, roughly a million albums a year in the nineteen-nineties and the aughts in the U.S.—and that includes greatest-hits albums, like
Walt Mossberg’s final weekly column. He started out in 1991 with “computers are just too hard to use”, and ends with the dangers of ambient computing and its power resting in a few companies: …if we are really going to turn over our homes, our cars, our health and more to private tech companies, on a scale never imagined, we need much, much stronger standards for security and privacy than now exist. Especially in the U.S., it’s time to stop dancing around the privacy and security issues and pass real, binding laws. But, as tectonic shifts like this occur in technology,