The Sound Of My Archive: Lessons From Podcasting Past
With the Edinburgh Fringe Podcast showcasing my interviews from the archive, I’ve had to look back critically at these early recordings from the dawn of podcasting.
Thoughts from a Bafta nominated Podcaster, Blogger, Writer and Commentator.
With the Edinburgh Fringe Podcast showcasing my interviews from the archive, I’ve had to look back critically at these early recordings from the dawn of podcasting.
August in Edinburgh means it’s Festival time, which includes the Fringe. And with the Fringe comes my annual podcast and radio show from Scotland’s capital. For those of you already subscribed to the podcast, you’ll find the traditional prologue episode for the year is now available in the RSS Feed. For those of you not familiar with Daniel Cainer’s ‘Edinburgh’ song you can head to the main website, find the show in iTunes, or add the RSS feed to your app. As always the show is produced with Radio Six International, so you can hear it online every Saturday with
With its tounge slightly in cheek, FringePig has award its first “ham-fisted” award for “the Fringe reviewer who most misunderstood what they were looking at.” to The List’s Graeme Connelly for his review of Stuat Goldsmith’s show: Graeme wins for his stunning use of bathos. In his review of ‘Stuart Goldsmith: An Hour‘ he worships at the feet of Goldsmith for several paragraphs, and then ends with three stars. It’s a simple formula, but a winning one. The funniest reviews are often the simplest. Connelly receives the staggering sum of £50 which, we are told, can buy a very brief sensation
I might have hinted at this near the end of my thoughts looking back at this year’s Edinburgh Fringe podcast. I had a blast doing the show, which this year was recorded and broadcast live on Castle FM as well as going out as a podcast through the usual RSS powered sources. When the Fringe was over, the time-slot on the FM dial was still open, so it felt natural to keep the one hour format of music and intervews going, but with some tweaks to fit the landscape in Edinburgh for the other 11 months of the year. So